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FEED Magazine

Welcome to the archives of the web magazine FEED. Launched in May of 1995, it was among a handful of "webzines"--as they were once called--in existence then. FEED tried to re-imagine how we would read and write in the digital age even as we dedicated ourselves to the craft of writing, a craft we were perfecting as green writers and editors ourselves.

We also convinced a handful of published authors to contribute. Hence, FEED was billed as the first Web-only magazine to feature "established writers." But its ultimate legacy may be the collection of writers who published some of their earliest work at FEED, and who then went on to luminous careers: the novelist Sam Lipsyte, Wonkette's Ana Marie Cox, media theorist Clay Shirky, New Yorker music critic Alex Ross, Talkingpointmemo's Josh Marshall, and many others.

FEED went offline in the summer of 2001. After nine years of suspended animation, we decided to put the archives back online. If nothing else, they keep us honest. They might even still teach us something about digital media. We've also created a twitter account @feedforever, which we will update with news and links to new work by the extended FEED community of writers. To mark this occasion, we've assembled reminiscences by former FEED contributors and links to some of our favorite pieces of yore.

— The Editors

Stefanie Syman Stefanie Syman
FEED co-founder, author, The Subtle Body

Fifteen years ago, Steven Johnson and I made the same calculation at about the same moment: the web would become a media outlet, and it’d make a fine place for a magazine. The thing was we had in capital and experience something more at the scale of a ‘zine—small, intimate, scruffy, and fervid. Read more

Steven Johnson Steven Johnson
FEED co-founder, author, The Invention of Air and others

When Stefanie and I first started trading emails, in January of 1995, exploring the nutty idea of launching our own Web magazine, so many of the conventions that we now take for granted about digital media simply didn’t exist. Web-only publications, for starters, were effectively nonexistent. Read more

Steve Bodow Steve Bodow
head writer, The Daily Show with Jon Stewart

I really loved Feed. Partly because I felt its sensibility neatly fit my own. Partly because I loved the then-novel notion of putting ideas out into the world with no grownups (read: Boomers) determining what was or wasn’t important. Read more

Austin Bunn Austin Bunn
teaches writing in Michigan

FEED was the perfect place to be twenty-four, lovelorn, verbose, and hungover. Read more

Matthew Debord Matthew Debord
author of three books, Shifting Gears columnist for Slate's Big Money

What I’m struck by, reading through the newly liberated FEED archives, is just how prototypical the exercise of creating a…what to call it? Web 1.0 Silicon Alley dotcom magazine-y enterprise? was. Apart from the incredible thoughtfulness of the contributors, the whole thing just reeks of THE FUTURE and TRANSITION and NEW, but without trashing the past. Read more

Erik Davis Erik Davis
author, Techgnosis, Nomad Codes: Adventures in Modern Esoterica (forthcoming), and other works.

I had been writing about technology and popular culture for almost a decade when Feed began, but I had grumpily resisted the march of magazine-style writing and commentary to the web. I was proud of the fact that everything on my site had first appeared on processed trees. Feed seduced me away from this weird principle, and it remains the online organ I most enjoyed writing for. Read more

Julian Dibbell Julian Dibbell
author, Play Money, contributing editor, Wired

The Library of Congress has declared the entirety of Twitter suitable for preservation within its digital memory banks, and yet, for years, the World Wide Web’s first great online magazine has been lost to the digital memory of the World Wide Web itself, inaccessible even to those of us who never will and never would have forgotten it anyway. In some ways, this has suited me just fine. Read more

Joshua Glenn Joshua Glenn
author, Taking Things Seriously, The Idler's Glossary

Feed was one of only a handful of collective efforts ever made by members of our generation to put our unfairly maligned self-reflexivity, irony, and ambivalence to use in a positive, creative way — I miss it! Read more

Amanda Griscom Amanda Little
author, Power Trip

Via the 650-word platform of the Daily FEED--which, let’s face it, established a tone and format now used in thousands of blogs--we were Experts of Everything. Here again, a pattern emerged: our clairvoyant leaders S&S encouraged their employees to be experts in areas where we had no expertise, and no business pretending otherwise. At the age of 22, having majored in English and Semiotics (knowing not a single fact about anything), I was opining on NASA technology, Russian politics, automotive regulations, habeas corpus, teen magazines, Japanese anime, and presidential impeachment. Read more

Christine Kenneally Christine Kenneally
author, The First Word

Time has not been kind to the lede sentence of Cocaine in the Membrane, although my editor Elaine Blair’s title still has zing. “Cocaine,” the article begins, “screws with your mind.” It’s awful. But remember, this was before Gawker, before Slate was a daily must-read, even before the era when everyone’s print editor kept asking them to make their writing more conversational, more like one of those ‘weblogs’. Read more

Chris Lehmann Chris Lehmann
co-editor of Book Forum, author of the forthcoming Rich People Things

Sure, there were occasional forays into exuberant postcollegiate theorizing—where pop culture icons and intellectual trends could be semioticized within an inch of their lives. It may even be true that Feed was where I—a notoriously late adopter in all these matters—first encountered the term “meme.” But hey, it was the nineties—and besides, even Feed’s excesses testified to its open spirit. Read more

Sam Lipsyte Sam Lipsyte
FEED senior editor, author, The Ask, Homeland and others

These were freewheeling days. The rule seemed to be that if you cared about a piece, and could make an argument for its cultural or political or technological importance, or else its downright hilarity, it belonged on FEED. This was editorial heaven. There weren’t even enough of us for feuds or office politics.Read more

Alex Ross Alex Ross
author, The Rest Is Noise, music critic, The New Yorker

When Steven Johnson told me that he and Stefanie Syman were going to start a magazine on the Internet, I had only the dimmest notion of what the Internet was. “Sounds great, Steven,” I said. “Is it going to be written in FORTRAN?” Read more

Kathryn Schulz Kathryn Schulz
author, Being Wrong

Looking back on it now, I’m staggered by what those original Feed writers have gone on to accomplish, in every medium. It makes me glad to have been a (minuscule) part of it, regretful that I wasn’t more involved, and delighted that Feed is being restored to its proper place on the internet. Read more

Clay Shirky Clay Shirky
author, Cognitive Surplus and Here Comes Everybody

I went to a fancy college and all, but I learned to write at FEED.The gig was simple: a few hundred words every week about something interesting going on with the internet. This would have been a great assignment at any time, but to have that job at the birth of the web, well, lets just say bliss was it in that dawn to be alive, but to be young was very heaven. Read more