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Readers interested in the business minds behind the creation of Internet
standards may want to check out Robert Reid's acclaimed book, "Architects
of the Web: 1,000 Days that Built the Future of Business." You can order
a copy directly from BarnesandNoble.com.
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INTERNET DENIZENS and industry giants cheered together when the Supreme Court overturned the Communications Decency Act late last June. But what seemed like the end of a struggle turned out to be only the beginning. The demise of the CDA didn't end the debate over regulating Internet speech. It just made it a lot more complicated. For a short time, the feel-good opposition to the CDA made it easy to believe that conventional political realities didn't have to apply in the online world -- that CEOs, ACLU lawyers, and the woolliest hackers could be one happy family fighting the same good fight. But today there is growing dissension underneath that big tent, which largely revolves around a new industry standard, one that carries the imprimatur of the mighty World Wide Web Consortium itself.
The coalition that helped defeat the CDA is now splintering apart over something called PICS, the Platform for Internet Content Selection. PICS is the new Internet protocol that would allow for the labeling of Internet content, letting surfers and service providers block out precisely what they found offensive from the Internet's infinite variety of unwholesomeness. On its face it seems like an elegant and unobjectionable solution to the problem of making the Internet safe for children and families; and many have embraced it as just that. But others are having second thoughts, believing that PICS may have effects every bit as pernicious as outright government censorship. Like the "red menace" of the Cold War era, the threat of the CDA had the side-effect of uniting factions that were otherwise answerable to different constituencies. The PICs debate may make it clear how provisional those alliances really were. The debate also sheds light on one of the contradictions at the heart of so-called "digital libertarianism": a willingness to accept restrictions on free speech as long as they are not implemented by government.
One reason why it is so difficult to craft good public policy to govern the Internet is that the Net removes all the countless incidental, but deeply important, ways in which we segregate information in the real world -- the fact that the Playboy magazine is on the shelf behind the register, not on the magazine rack; the fact that various subterranean activities can only be found in the seedier sections of our major cities, and so forth. On the Net each of these subtle, tacit, almost inadvertent ways we segregate information must be explicitly reconstituted, and often by means far more direct and obtrusive than their real-world equivalents. Supporters of PICS say it's like an Internet version of the V-chip -- inherently inoffensive because only you can censor what you see. They also insist that only such self-regulation can prevent a much broader, state-imposed censorship. And here they have a point. By taking no prisoners in the fight for free speech, Internet civil libertarians run the risk of opting themselves out of the public dialogue altogether -- something many fail to consider.
But the V-Chip analogy is misleading. As PICS is usually described, individual users or parents set their web browsers to filter out certain kinds of sexual, violent, or political material -- whatever they find objectionable. But PICS is far more flexible than this description implies. Using the PICS protocol, it is just as easy for this type of filtering to be done at the level of the organization, the employer, the Internet Service Provider or even (in certain cases) the state. With the V-Chip you choose what you don't want to see. But with PICS that choice may not be yours to make. When the creators of PICS respond to these possible uses, they say simply that they are neutral. They describe the technology in the fashionable rhetoric of parental empowerment, but in actuality PICS opens up the possibility of censorship based on any conceivable criteria: anti-cat language, promiscuous use of the phrase "socially-constructed," or even just Spice Girls fan sites.
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![]() On June 11 of last year, the United States District Court for the Eastern District of Pennsylvania handed down a landmark decision that in essence declared the Communications Decency Act unconstitutional, setting a precedent that was largely upheld by the Supreme Court a year later. In our Document section, we posted excerpts of each of the three Judge's decisions and invited a number of experts (including L.A. Times columnist Gary Chapman, Senator Jim Exon, and The New Republic's Jeffrey Rosen) to comment on the decision.
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![]() Policy.com has accrued a rich anthology of links to censorship- and free-speech-related treatises online. In one link to a Cato Institute article, "the author says... the 'harmful to minors' category would limit poetry and paintings that could be construed as too harmful for a minor yet enlightening to an adult." Another link quotes the ACLU: "Rather than empowering parents, a universal rating system will in effect restrict the choices that parents can make."
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Another problem with PICS is more insidious: in a PICS world you seldom know what you're not seeing. Your browser doesn't bring up a site or a link with a big, red "X" through it. You just never see it at all. This is the part of PICS that really gets Orwellian imaginations churning. In the real world, school boards actually have to vote to ban Huck Finn, and look like fools doing it. But in a PICS environment objectionable material can simply slip out of existence through the invisible fingers of technology. At its worst, PICS makes possible a form of censorship that is all the more troubling because it is so seamless and difficult to detect.
What the PICS debate reveals is just how disparate the interests of Internet industry giants and activist groups really are. That division was obscured, or just ignored, during the fight against the CDA. But what now seems clear is that industry leaders like Netscape and Microsoft were not so much interested in free speech as they were opposed to government regulation -- two related, but distinct, concepts that we too often conflate. What industry leaders find so promising in PICS is that it allows the world of Internet commerce to effortlessly side-step the multitude of culture-war skirmishes that could bedevil the growth of the Internet in various constituencies in the United States (and even more so in other countries that do not share American standards of free speech or cultural permissiveness). The growth of electronic commerce requires an Internet that is clean, safe, and predictable. PICS brings that sanitized vision of the Web one step closer to reality. But we should not paint this picture with activists and industry types in their conventional roles as good guys and bad guys, with commerce running roughshod over high-minded ideals. Certainly business people and activists have their own distinct interests. But the real story is more complex and, for that matter, more sobering. The support for a PICS-type solution didn't come from stodgy, old-line corporate board-rooms. It came from cyber-activists and Internet gurus themselves, people with an often myopic focus on government as the only source of pernicious regulation, and an almost infinite confidence that technical solutions can circumvent what are essentially political questions. The irony is that the Internet's libertarian ethic led some of the most influential decision makers to embrace a technology that may be far more deleterious than the one the federal government initially proposed. The CDA allowed government to regulate a relatively narrow range of -- primarily sexual -- content. But in its place the opponents of the CDA created a labeling architecture that makes possible the regulation of every kind of material. Lawrence Lessig, a Harvard Law Professor and cyber-law specialist, is one of a number of legal academics who are now making just this case. Lessig recently told me that many Net activists are beginning to realize that on the Internet "the long term interests of commerce are the same as the long term interests of government." From Lessig's perspective, "both government and commerce want [an Internet where] you know who people are, you know where they're coming from ... you know features about them so you can zone them into one space and bring them into another." It's true enough that governments cannot easily regulate the Internet with the traditional calculus of fines and punishments for particular infractions. But when government works in unison with commerce and, most critically, with those who write the code, you can get a form of regulation that is far more penetrating and total than anything government could achieve on its own. "From a great space of freedom and openness," Lessig argues, the Net becomes "a space of maximum regulability" |
![]() Thomas Paine, "one of the first to use media as a powerful weapon against... repressive social structures" would have seen PICS as a real drag. The Age of Paine in Wired Magazine is Jon Katz's ode to the great progenitor of information mutiny, far too ahead of his time to be duly appreciated.
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![]() "In one of my surveys, 85% of the people I interviewed (over age of 25),
used the computer for *SOME* sort of illegal activity," FEED reader Paul Chandler writes, in a response that has triggered a long -- and sometimes heated thread about free speech and society. Censorship eliminates this ability. It is similar to people not wanting
cameras at intersections. Net because they are affraid of injustice, but because they are afraid of getting caught. " Click here to post
your own responses.
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It's easy to dismiss all this talk about "cyber-rights" as just so much frothy, overclass, digital chic -- cheap activism for the affluent and bored. But these fights in cyberspace point to more general trends in our political culture. They show how impoverished our collective commitment to free speech can become in a political climate in which only government is seen as having a pernicious influence in regulating, or filtering, information. What it really comes down to is what we might call the difference between free speech and free expression -- the former being narrow and juridical, based on limitations on government action, and the latter being a more positive belief in the value of expression itself. You can see this distinction not only online but also in discussions of the V-Chip, TV ratings, and the increasingly fashionable tendency for political figures to publicly shame entertainment companies into "voluntarily" censoring supposedly offensive material. Identifying the importance of free speech too narrowly with limitation on government action runs the risk of turning the First Amendment into a kind of empty totem. We can bow down so reflexively to the narrow dictates of the Amendment that we lose the sense that there is anything salutary or sacred about free expression -- beyond the fact that governments should not interfere with it.
One anecdote that pops up in many pro-PICS articles has it that the Simon Wiesenthal Center could use PICS to create its own filtering system to screen out sites with anti-Semitic language. You can hardly imagine an example more perverse and ironic. The Wiesenthal Center, of course, has the mission of discovering examples of anti-Semitism and shining a light on those who deny the reality of the Holocaust. Discover. Not cover up. As a Jew, I want to know about anti-Semitic literature and propaganda in American society. The last thing I would want to do is devise a system to shield my eyes from all examples of antipathy toward my group. I don't want to find out about the growth of anti-Semitic views for the first time when I hear a knock on my door. The whole approach amounts to something like an ethic of censorship -- a belief that we should all learn to censor ourselves, and view life through blinders of our own creation. Much of this nonsense is a product of the peculiar naiveté about politics and technology that many rightly associate with the phrase "digital libertarianism." But there are parallels to our wider political culture as well. While our national political dialogue strains mightily to avoid government censorship, there is little commitment in our society today to a culture of free-expression on its own merits. (Consider the popularity and ubiquity of Bill Bennett to see that.) And perhaps in the final analysis, this is the best reason why a PICS-based Internet is a bad idea. Supporters of PICS praise the fact that it is a "neutral" technology -- open to an infinite variety of uses but not inherently supportive of any particular system of beliefs. But is this the kind of technology we want to put in the hands of a society where free expression -- or, dare I say, permissiveness -- as a social ideal has so few champions? In America, the really pointed threats to free speech have always come not from government, but from willful majorities intent on bullying dissenters into silence. And that is precisely what PICS could make possible. |
Share your thoughts on PICS with us in the Feedbag discussion area.
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©1997 FEED Inc.