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Once Upon a Time in Hong Kong
Mark Van de Walle on the triumphant return of Tsui Hark


Helen Fielding Goes to Hollywood
Deborah Shapiro on why Bridget Jones was born to be in pictures


Portrait of a Dealer
Stefanie Syman on Blow, this year's drug movie


Pomp and Circumstance
Alex Abramovich on the Oscars


Feeling the Strain
Alex Abramovich on Steve Martin's downward spiral


Pretty Ugly
Peter Rubin on Brad Pitt's image underhaul


Eurotrash
Jefferson Chase on what's been lost at the Berlin Film Festival


Vile Bodies
Todd Levin on TV Funhouse and the "Porn for Kids" controversy


The Sayings of Chairman DiCaprio
Scott McLemee on how the Hollywood blockbuster became Beijing's favorite propaganda tool


Traffic School
Chris Lehmann on Steven Soderbergh's new public service announcement


Stars and Bars
Prisons have always been choice entertainment fodder. But what does the success of a "realistic" show like Oz say about our baser instincts? Mark Holcomb reports.


Make Money, Not War
Robyn Creswell on Lebanese cinema's new discovery: the screwball comedy


Company Man
Cast Away brings product placement to a new level. Does that signal a new low for Hollywood? Alex Abramovich reports.


Please Make the Voices Stop
Deborah Shapiro on Mel Gibson's journey into womanhood


Is Boston Public Anti-Semitic?
Alex Abramovich on David E. Kelley's new TV series


The Horror! The Horror!
The scariest, most violent movies ever made were produced decades ago. So why are pols now all worked up about the current crop of silly slasher flicks? Lauren Sandler goes to the movies.


Queer As Folk
Lisa Levy on whether the latest Showtime series will break new ground


Repeat Offender
Matthew DeBord on Robert Downey, Jr.'s arrest


RE: Edward Yang
Kristin M. Jones talks with the maverick Taiwanese director about his acclaimed new film Yi Yi, digital movie-making, and the joys of manga.


When Good Sadists Go Bad
Lisa Levy on Quills

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