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Portrait of a Dealer
Stefanie Syman on Blow, this year's drug movie


Bell Curves and Bitstreams
Stefanie Syman on the beginning of the end of digital art


IBM: The Final Solutions Company
Stefanie Syman on Edwin Black's IBM and the Holocaust


Freud's Rooms
Robert Longo re-animates the birthplace of psychoanalysis. Stefanie Syman pays a visit.


Death Is Irrelevant
In his new show, Damien Hirst trades his stereotypical gore for special effects. Stefanie Syman visits his medical theme park.


The Future of Drugs: A FEED Special Issue
Stefanie Syman introduces the FEED Drugs Issue.


A House of a Different Color
Stefanie Syman on Mike Davis's Magical Urbanism.


Yield. Merge. Exit. Freak Out.
For nearly seventy-five years, Americans have relied on familiar colors and signs to stay alive while on the move. Now, suddenly, the Feds have gone fluorescent. Stefanie Syman reports.


Matthew Barney's Garden of Unearthly Delights
Stefanie Syman looks at the Cremaster videos of art star Matthew Barney.


The Pleasure of Difference
A FEED Dialog on art and critical practice


The FEED Art Issue
LOOK SEE FEEL BE


Life in the 'Burbs
Stefanie Syman looks at snapshots of suburbia.


Abject of My Affections
Stefanie Syman on the art of Tracey Emin and Patty Chang


Physical Graffiti
Painting finds its third dimension.


The Heroic Age Of Irony
Stefanie Syman on Anselm Kiefer and the problem of symbolism


White Washed
The Art of the Snapshot. Stefanie Syman on low tech photography


Painting's Permanent Midnight
Stefanie Syman on a new generation of color field painters


Junk Tv
Stefanie Syman on artist John Wells's television reconstructions


Tattoo You
In her first column, Stefanie Syman looks at the tattoo as high art.


Parenting Theory
Stefanie Syman on parenting theory

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