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Question: Royalties and Profits

Base: Music Discussion
Re: More So ... does it work?
Re: It Doesn't Have to Work (Ed Hiller)
Keywords: Question
Date: Wed, 14 Feb 1996 12:47:27 GMT
From: [email protected] (Eric Plue)
HTTP/1.1 200 OK Date: Wed, 03 Nov 1999 17:59:31 GMT Server: Apache/1.3.9 (Unix) PHP/3.0.12 Last-Modified: Wed, 14 Feb 1996 12:47:15 GMT ETag: "3ace2-19c-3121d9d3" Accept-Ranges: bytes Content-Length: 412 Connection: close Content-Type: text/html X-Pad: avoid browser bug I'm curious for more info about the business side. It seems like Muzak would have to spend enormous amounts for royalty rights. Unless, perhaps the recording/distribution industry found them useful as a product disseminator. How do they make their enormous profits?

Also, do real people make the Muzak our is it largely a machine made effect? That is, for example, is one violin overdubbed 101 times?


Responses [Embed Depth: 1 2 3 All] [Outline Depth: 1 2 3 9 All]

1. None: Response to royalties (Shane)
2. Feedback: R L Lightle, Paragon Business Systems, DMX for Business (Richard L. Lightle)
a Response to: "Royalties and Profits"

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