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06.06.01 | Daily
Rheinstone Cowboys
Jefferson Chase on why the best country music is coming out of Hamburg and Düsseldorf 05.16.01 | Daily
Thank You For the Music
Jefferson Chase on this year's serving of Continental kitsch at the Eurovision Song Contest 05.02.01 | Essay
The DJ's New Lexicon
Skratch, a newly legit musical genre, is getting its own notational system. Franklin Bruno looks at two bids to put flares, orbits, and crabs down on paper. 04.17.01 | Daily
Bop Till You Drop
Alex Abramovich on the passing of Joey Ramone 04.10.01 | Daily
Postrock Rolls Over
Jefferson Chase on Tortoise and The Sea and Cake's recent slump 04.03.01 | Essay
Blown Away
Geoff Dyer sounds out the millennial state and fate of jazz. 04.02.01 | Daily
Bring Out Your Dead
Jefferson Chase on the human corpses displayed as art in Berlin 03.28.01 | Feature
Fast Forward
Musicians, writers, and our readers weigh in on the most influential music of the last four decades. 03.22.01 | Essay
Vintage Violence
What does old-time music have in common with gangsta rap? Alex Abramovich reports. 03.20.01 | Daily
Shafted
Mark Van de Walle on how Willard Scott came to be suspended in a Manhattan air shaft 03.19.01 | Dialog
Mark Prendergast: The FEED Dialog
Mark Prendergast, author of The Ambient Century, discusses the past, present and future of ambient music -- a form that encompasses everyone from Dylan to Debussy. 03.02.01 | Daily
Beautiful Strangers
Jessica Hundley on the first-ever Madonna convention 02.22.01 | Sound & Fury
A Season in Hell
Alex Abramovich on Eminem's place in hip-hop history. 02.07.01 | Materialist
Freud's Rooms
Robert Longo re-animates the birthplace of psychoanalysis. Stefanie Syman pays a visit.
01.31.01 | Sound & Fury
Burned
Alex Abramovich on what's wrong with Ken Burns' history of America's music.
01.31.01 | Daily
Cool Britannia
Jefferson Chase on an unexpected oasis in the wasteland of Britpop 01.05.01 | Essay
Main Squeeze
Is a lifelong love affair with the accordion something one should talk about in public? John Donatich breaks the silence. 01.03.01 | Interview
RE: Jenny Toomey
The musician and Simple Machines co-founder talks to Stephen Burt about running an independent label and the future of indie music in the digital age.
12.26.00 | Daily
No UFOs in Motor City
Simon Reynolds on Ford's use of Detroit techno 12.15.00 | Interview
RE: T Bone Burnett
The new Coen Brothers' movie presents American music at its strange and beautiful best. Alex Abramovich talks to the man responsible for the soundtrack. 1 2 3 4 5 6 Next
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